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Edgar Allan Poe

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Introduction

The gloomy word selection throughout the story highlights the controlling idea of death while it emphasizes narrator’s hypothesis of checks and balances during the ordinary process of existence and death. Poe shows immense mastery of symbolism, as well as other types of literary technique in his writings. That is why the thesis of analyzed story has death as the controlling idea; however, words usage is the only indication of death displaying a mastery of literary techniques.

First Body Point

The narrator’s voice is gloomy, and this is evident by the use of dismal words. Words like “angels”, “blood-red”, and “funeral pall” (Poe 10) reveal the general theme of death in the story through the weird mood. Thus, the impending doom and death in the story fulfill Poe’s theory of sing effect by displaying narrator’s check and balances concept of checking life to stop corruption. Poe applies words with an implication to death to set the mood of the story in order to stress the thesis that death conquers everything (Poe).

Second Body Point

The story's setting furthers the sense of impending death and doom in the story by using the words depicting the development effect of death. The word option that has a nuance to death and builds up the mood of “The Conqueror Worm” (Poe) is a key device in the expansion of the theme of the story. The theme of death associated with the philosophy of the narrator because he supposed that death checks life and the ordinary corruption connected with it. In this story, the author fulfills this mortal mood by using the certain words leading to the desired effect (Douglas 20).

Third Body Point

The spoken exchanges between Montresor and Fortunato further the sense of impending death and doom in the story since their arguments are of superiority contest. Throughout the story, the spirit of death and doom act as the contest to get the checks and balances. The actions and words of Montresor aim to embellish Fortunato with the greatest terror of every submissive bondage enthusiast, i.e. to be controlled and then abandoned. The author means that namely death controls lives of many and leave bondage of bereavement subsequently (Douglas 20). The dynamic fight between two characters forms the pivot of the story’s dismay, and, as a result, becomes the controlling issue of its moral implications. Fortunato’s murder is understood in the text as a spiritual sacri?ce. The Montresor’s use of the utterance “immolation” (Poe 11) in the second section and his mocking recurrence of Fortunato’s prayer “for the love of God”(Poe) at the peak are the obvious signs of this thought. The most probable affront that Fortunato has inflicted Montresor is the attempt of treating him as a societal inferior. Montresor is a killer, and Fortunato is a stupid for being so simply mystified and consequently slain by him. This is a clear revelation that is correlated to the Poe’s theory about the significance of single effect-death (Douglas 23).

Conclusion

The single effect intended by Poe is death. The words used within the story are strongly associated with the effect of death. The setting of the story is an execution in the final paragraph ends by death and the idea that death conquers everything. The superiority contest between Fortunato and Montresor ends by the death of Fortunato.

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